Ever felt like you were running away from your past? Do your actions, recent or distant, come back to haunt you? Have you recently been trapped in a room with ethereal visages of your immediate past tracking your heels like phantasmal clones threatening to drag you back from whence you came? Er... sorry, that last one probably isn't as common an experience, but it is the basic premise of One Step Back, the latest action platforming experience from CoolioNiato.
One Step Back slickly re-envisions the idea of "running from your past," putting it into a practical and fast-paced platforming context. Each level starts you at one point and tasks you with reaching the exit door by running, jumping, and (naturally) wall-jumping. (Use the [WASD] or [arrow] keys to move.) Two twists stand in your way. For one, the exit door is locked, and won't open until you've moved a certain distance through the level. As you progress, the door will progressively turn blue, finally glowing to indicate your ability to exit. Secondly, ghosts of yourself will appear intermittently from the entrance point and track your exact path. The more you move, the more ghosts will appear.
But they won't run at you all willy-nilly on their own. As long as your character is still, the ghosts will freeze in place, whether they are on a platform, in the middle of a sprint, or in midair (Matrix-style, oh yeah). A small dotted line extends from each one, indicating their projected paths a little ways in front of them. However, they are only long enough to give you a small idea of where they will be for the next few steps, it's up to you to keep track of where they are headed. What seems like a frantic avoidance game actually becomes something of a puzzler, allowing you to pause and plan out your next move if you are so inclined. And if you play long enough, the game shifts in tone and adds a second dimension of gameplay that, for the sake of spoilers, I will not delve into. The game deepens as you go along, and the shift in gameplay brings with it a new level of difficulty and challenge.
Analysis: One Step Back will probably remind you immediately of Exit Path in style, but the substance is, well, substantially different. Yeah, there's a little backstory about "running from your past" and "time being the enemy" and a lot of superfluous narrative that feels like it was lifted out of a Denzel Washington movie (and not one that earned him an Oscar), but you can pretty much inject your own story into it without much trouble. Like, pretend you're trying to escape a cloning machine that has gone haywire, spurting out clones every few seconds, but giving you the power to stop time. It doesn't matter. As is typical with many platformers, it's all about how it plays.
And it plays well. The characters run smoothly, jump nicely, and hit detection is decent save for an extremely touchy wall-jump system. Maybe I'm just used to playing as Mario, who can stick to a wall as if his overalls are coated in superglue, but it it's just a little too tricky to make your character respond to a command to wall-jump. In a game revolving around avoidance and accuracy in jumping and landing, this can be a hindrance. Don't let it discourage you too much, though, as the action is otherwise polished. My favorite part of this game is how cluttered it starts to feel once a few ghosts start tailing you. It's frantic in a smooth and well-executed way: the more claustrophobic the level, the bigger the challenge. Stylistically, the game is mostly on point, all grayscale and blues with a gentle piano soundtrack that admittedly fits the narrative rather than the action. The game is a complete experience, and honestly, it just works.
One Step Back probably won't take you more than twenty to thirty minutes to beat, particularly once you learn a few of the tricks. Figuring them out is part of the experience, as are some of the innovations that, as I said before, I will not discuss here. Give it a shot (and play it to the end). Hopefully, it won't be an experience you'll feel like you have to run away from! Ba-dum-psh. Thanks, folks, I'll be here all week.
Thanks to James for sending this one in!
Game designers:
INCLUDE. LEVEL. SELECT. SCREENS.
Some people may want to do other things in the middle of your game, and they may not want to lose all their progress just because they closed the tab window. Even if your game is short!
If you don't want to include a level selector, the absolute minimum you must do is include an easily accessible mute button, so if we have to leave the tab open we don't have to hear the music tinkling away in the background if we don't mute the computer.
I saw this yesterday, and did end up giving up. When, without seeing it before, you're expected to make the wall-jump three times in a row, and then you need to do that again without any mistakes almost immediately after, I couldn't stick with it. Not to mention that the instructions were a little vague - I tried for some time before I even knew what was necessary, and it's a difficult maneuver.
If that gets fixed maybe I'll give it a shot, because I think it's a good concept, and the presentation is elegant.
maybe there could be a sub catagory under the 'avoidance' tag, as 'self avoidance'? A great game. But many levels seem to relie on luck more than judgement..or is that just my style of playing?
Can anyone tell me how it's possible to get up to the exit in the level shaped like a leaning 'O'?
Nevermind, this S-shaped level where I have to do a round trip is hard now.
Annoyingly there is no autosave feature(or cookie)if you exit to give your hands a rest you restart from the beginning...
I had serious trouble with the wall jump :(
You might try thinking of it like "N," it controls in a similar fashion and I found myself frustrated with N before I got used to it.
I really ought to have put that in the review, dang.
Interesting game mechanic. The wall jump was a bit difficult to get the hang of, but not really any worse than most. Decent game in my book.
Decent game idea but the wall jump mechanic is really horrible and quickly gave up after seeing how ubiquitous it was. I never really mastered it in N either fwiw. The addition of different powers/settings would make this more interesting and fun.
Excellent game. Makes me think of the shadow marios in Super Mario Galaxy 2... though they're a bit tougher to avoid without a fully 3d environment. The twist mid-way through mixes things up quite a bit, and still maintains more challenge than I would have expected.
There's a very annoying tic of the game, that if you're jumping from a platform and you're apparently just a little too close to the edge, you jump *backwards*. On one level with a lot of platforms, I kept running into myself because, in spite of pressing "up-and-right", I found myself jumping to the left.
The game's also not always very good about letting you control your fall.
On the other hand, having gotten to the end, I'm glad I did. It was a challenge, but a fun one, and the twist mentioned in the review is definitely worth seeing. (You'll know it when you get to it. It's orange.)
Great game, but the learning curve is pretty steep in the beginning. The reviewer is right in that there are "tricks" that you need to learn to space out the ghosts, slow them down, or use the terrain in such a way that it lets you backtrack your route later on to get to the exit.
The wall jump mechanic is a little /loose wonky in the beginning, but once you get the hang of it, it's okay... almost natural but not quite.
The twist mid-way was cool, but it is not as hard as the first half of the game.
To the comments about luck/strategy, the game is about 90% strategy and 10% technique (mostly the wall jump). You have to stand there and study the level and plan how you are going to run a route that (1) opens the exit and (2) doesn't get you killed by the ghosts (e.g., leaves room for backtracking, etc.). There is really no element of luck since there isn't an element of randomness as you know exactly where the ghosts will be -- they will be where you were a few moments ago! A bad jump here and there is due to technique (not luck) and can be mastered with repeated play.
Just played it from beginning to end... to beginning. Not sure I'd do it again.
Can someone give a complete transcription of the "poem" given throughout the game? I think I noticed something about it.
One really useful trick to unlock the door is to
Will someone please put the "twist" in spoiler tags so I can see what it is? I saw this game posted on Indie Games Blog a few days ago and everyone in the comments kept talking about the big twist, but I've tried the game a few times and the find the controls too frustrating to get that far.
The poem does have something unique about it:
... if that's what you mean. I'll try to transcribe it, too.
S-shaped level (doors right next to each other):
A good strategy to finish levels after the... orange thing... happens, especially the difficult ones with walljumping:
Sorry for double posting, but Neddo, the twist is:
Thanks, Cheddarius!
No problem.
Here's what I noticed about the poem:
I expected that this game would be as popular as loved, but it ended up like this. People are complaining about the controls instead of its meaning. I'm sad. :-(
About the poem:
I also am mystified by the complaints of controls. I am usually very bad at games, but I found this one fairly easy, if you know the tricks... I outlined two of the tricks in my post above.
Wall-jumping controls are a bit slippery, but as long as you press the corresponding arrow key against the wall, and only then press up to jump off, it should be fairly easy...
Just finished, and I have to say
For everyone getting annoyed by the controls: don't give up. It's well worth the trouble.
I considered giving up on the
I'd say 4 shrooms out of 5 for this one. Good, but not great.
@Tahnan
Yeah, I've noticed that too, and it's really annoying. However, the same hit detection that makes platforms annoying is probably the same mechanism that makes wall jumps a bit easier
@Fatts
I beg to differ slightly. I've played enough platformers that my hand eye coordination (to speak nothing of my crappy keyboard) is not improving much in this lifetime. As a result, getting those jumps right is mostly luck. However, as you said, this game does require a lot of strategy (especially correcting for those bad jumps).
@Cheddarius
Thanks for transcribing the poem. :)
This is a great game, though rather tedious if played cautiously (my fingers wont' listen ;_;). The twist in particular made this an awesome game. However,
4tran, the "trick" I wrote about earlier should deal very effectively with any problems of that sort. There are some levels that are quite tricky, but with the trick they get a lot easier.
This immediately reminded me of Braid. Nice idea, overly romantic music (maybe the point?), could have been longer, but I imagine then the integrity of the 'poem' would have been lost.
FREAKING BRILLIANT!
Perhaps not as spectacularly moving as The Company of Myself, but it is close.
Yes, the mechanic is difficult in the first half (recoding do be more like N would help). Yes, the second half is easier than the first. But that doesn't change the amazingness of the concept.
The trick I used that made the entire thing pretty easy:
It was hard
I also have a tip:
Amazing game, but mainly wanted to post this:
I replayed the game, and have the whole poem here. Every single part of the last line, and very middle is simply a repeat, not modified in any way. I used tabs to signify multiple lines, simply so you can see how it is.
[Tabs (and strings of white space characters) appear as a single space in HTML, sorry. :( -Jay]
Feature request: hold "down" (or some other key) to stand still. It's too easy to fall off a platform while waiting.
I was about to rage-quit the game midway due to some levels being really tedious, but decided to keep going to see the twist. Really glad that I did! Such a cool little game. Also, don't know if you noticed, but it seems that in the second part,
And about the S-shaped level where the doors are next to each other,
Hope that makes sense!
wall-jumping is impossible. this game is completely crippled by a bad gameplay mechanic, and it's proven because "The Other Side" is not afflicted with this problem.
what is the theme song of this game?
This is the worst game I've played in my life. This is the time line of my experience with this game, recording my changing categorization:
Lvs 1-3: Cute Little Platform/Time/Whatever Game
Lvs 4-7: Nice But A Little Demanding Game
Lvs 8-(i'm not sure): I am going to have a nervous breakdown....
Following Levels Until I Quit: Why does the creator WANT me to post something negative?!?!
REVISION OF GAME:
AWESOME!!!!
I'm playing the game a 3rd time and ended up in a "limbo" state (no shadows, but no active door either so I can't get out!). Anyone know about this?
I was actually surprised how easy the first half was, but then when I got to the second half I started getting the rage. On one of the levels I just jumped down a particular way and now it's essentially impossible for me to catch them all because there's no quick way to get from the entrance to the exit before another clone appears. Extremely frustrating and ruined what was an otherwise fun and interesting game
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